Canonの新型シネマカメラEOS C50のフルスペックをCanon Rumorsが追加画像とともに報じています。
以下はリークされたスペックの詳細になります。
| Image Processor | DIGIC DV 7 |
| Lens Mount | Canon RF mount |
| Compatible Lenses | • RF lens (including RF-S lens, RF cinema lens) |
| • EF lens (including EF-S lens, EF cinema lens (when equipped the RF-EF mount Adapter)) | |
| • PL lens (when equipped the Mount Adapter PL-RF) | |
| Image Sensor | |
| Sensor | Full frame CMOS sensor |
| Number of Total Pixels | Approx. 34.20 megapixels (7144×4790) |
| Number of Effective Pixels | Sensor mode: Full frame 3:2 Approx. 32.373 megapixels (6968×4646): 6960×4640 / 6912×4608 resolution Sensor mode: Full frame Approx. 25.628 megapixels (6968×3678): 6960×3672 /4096×2160 / 2048×1080 resolution Approx. 24.032 megapixels (6534*1×3678): 3840×2160 / 1920×1080 resolution Sensor mode: Super 35mm (Crop) Approx. 13.427 megapixels (5044×2662): 5036×2656 /4096×2160 /2048×1080 resolution Sensor mode: Super 16mm (Crop) Approx. 3.388 megapixels (2532×1338): 2524×1332 /2048×1080 resolution Approx. 3.176 megapixels (2374*3×1338): 1920×1080 resolution *1 Converted from 6968 pixels *2 Converted from 5044 pixels *3 Converted from 2532 pixels |
| Unit pixel | 5.16 X 5.16 (μm) |
| Effective Sensor Size | Sensor mode: Full frame 3:2 35.9 x 23.9 mm (43.2 mm on the diagonal): 6960×4640 resolution 35.7 x 23.8 mm (42.9 mm on the diagonal): 6912×4608 resolution Sensor mode: Full frame 35.9 x 18.9 mm (40.6 mm on the diagonal): 6960×3672 /4096×2160 / 2048×1080 resolution 33.6 x 18.9 mm (38.6 mm on the diagonal): 3840×2160 / 1920×1080 resolution Sensor mode: Super 35mm (Crop) 26.0 x 13.7 mm (29.4 mm on the diagonal): 5036×2656 /4096×2160 /2048×1080 resolution 24.4 x 13.7 mm (28.0 mm on the diagonal): 3840×2160 / 1920×1080 resolution Sensor mode: Super 16mm (Crop) 13.0 x 6.9 mm (14.7 mm on the diagonal): 2524×1332 /2048×1080 resolution 12.2 x 6.9 mm (14.0 mm on the diagonal): 1920×1080 resolution |
| Color Filter System | RGB primary color filter (Bayer array) |
| Dynamic Range | Sensor mode: Full frame Canon Log 2: 1600% / 15+ stops (Base Sensitivity ISO 800) Sensor mode: Super35mm Canon Log 2: 1600% / 16 stops (Base Sensitivity ISO 800) |
| LCD Screen | |
| Type | Color wide LCD monitor |
| Screen size | 3.0 inch (diagonal 7.5 cm) |
| Number of dots | Approx. 1.62 million dots (900xRGBx600) |
| Field of view coverage | 100% |
| Adjustment function | “Brightness, Contrast, Color, Sharpness, Luminance* * A luminance boost function is also available that makes LCD monitor display easier to see outdoors and in other bright conditions.” |
| Touch panel | Electrostatic capacitance system. Touch/drag operation supported. |
| Network specifications | |
| Ethernet | |
| Standards compliance: Follows the specifications of the Ethernet adapter | |
| Wi-Fi | |
| Supported standards: IEEE802.11b /g /n (2.4 GHz) IEEE802.11a / n / ac (5 GHz) Setup: Infrastructure (WPS: push button method, WPS: PIN code method, access point, manual configuration), Camera access point Security: Open, Shared key, WPA/WPA2/WPA3-Personal, WPA/WPA2/WPA3-Enterprise • Encryption: TKIP, AES | |
| IP streaming | |
| Compression method | MPEG-4 H.264/AVC |
| Bit rate/Resolution | 9 Mbps: 920×1080 (59.94P, 59.94i, 50.00P, 50.00i) 4 Mbps: same as above |
| Audio | MPEG-2 ACC-LC 2ch |
| Audio rate | 256 kbps |
| Protocols | UDP: Prioritizes transfer speed, with no guarantees of reliability or correct order. Lost or lagging packets ignored. RTP: Standard system for sending videos and audio online. Lost or lagging packets ignored. SRT: Achieves high-quality streaming with minimal video distortion due to low latency and a packet loss playback function. RTP+FEC: Error correction (FEC)* control during RTP transfer enables recovery of lost or corrupt packets on the receiving side. RTSP+RTP: Real-time data streaming control via RTSP (Real Time Streaming Protocol) and transfer via RTP. The receiving side can start or stop streaming. |
| Network functions and connection methods | ||||
| Function | Description | Ethernet | Wi-Fi | |
| Infrastructure | “Camera access point” | |||
| IP Streaming | Streams video to decoder transmission device or computer over the network. | ● | ● | — |
| XC Protocol | “The D227 can be remotely operated by a controller or application that supports the XC protocol via IP connection. Supported Canon products are as follows: Controller RC-IP100 (Ver 1.20 or later), RC-IP1000 A pplication Remote Camera Control Application (Ver 1.3.0 or later), Canon Multi-Camera Control, Multi-Camera Management Application” | ● | ● | ● |
| Canon App | “This function allows you to connect a camera to a mobile device running iOS or Android via Wi-Fi, and use Content Transfer Professional on the device to transfer files from the camera (video files, audio files, News Metadata, still image files), as well as create and edit News Metadata.” | — | ● | — |
| CV Protocol | “Output metadata information needed for real- time virtual production in a computer application from a commercially available Ethernet adapter.” | ●* | — | — |
| Frame.io | Upload clips from the camera using Adobe’s Frame.io Camera to Cloud function. | ● | ● | — |
| *IPv4 only | ||||
| Input / Output terminal | |
| Input Terminal | |
| Camera | |
| MIC Terminal | Φ3.5 mm stereo mini jack (Unbalanced, plugin power supported) |
| MIC | Input impedance | 1.5 kΩ | |
| Sensitivity | -72 dBV (Volume auto, Full scale – 18 dB) | ||
| ATT | 20 dB | ||
| Supply voltage | DC 2.0 V (Bias resistor 2.2 kΩ) | ||
| LINE | Input impedance | 10 kΩ | |
| Sensitivity | -12 dBV (Volume center, Full scale – 18 dB) | ||
| Type E3, Φ2.5 mm, stereo mini jack | |||
| Handle unit | |||
| XLR 3 pin jack (Balanced) (1) Shield, (2) Hot, (3) Cold) | |||
| MIC | Input impedance | 1.2 kΩ | |
| Sensitivity | -60 dBu (Volume center, Full scale – 18 dB) | ||
| ATT | 20 dB | ||
| LINE | Input impedance | 10 kΩ | |
| Sensitivity | +4 dBu (Volume center, Full scale – 18 dB) | ||
| Output Terminal | |||
| HDMI connector (Type A) Time codes can be superimposed (original standards) | |||
| Video/Audio Output | According to HDMI specifications. | ||
| Φ3.5mm stereo mini jack | |||
| Output impedance | 50 Ω or lower | ||
| Output signal level | -17 dBV (32 Ω load, maximum volume) | ||
| Output Terminal | |||
| USB Type-C® jack Can be used to connect a smartphone or Ethernet adapter. USB Video Class and USB Audio Class (UVC and UAC) are supported. In-camera charging and power supply are possible with USB Power Adapter PD-E2. With an Ethernet adapter: equivalent to SuperSpeed USB (USB 3.2 Gen 1) In other cases: equivalent to SuperSpeedPlus USB (USB 3.2 Gen 2) | |||
| DIN1.0/2.3 jack terminal | |||
| Input | Input impedance: 100kΩ | ||
| Signal level: 0.5-4.5 Vp-p | |||
| Output | Output impedance: 50Ω | ||
| Signal level: 1.3 Vp-p | |||
| Other Terminals | |||
| Canon original specifications | |||
| Power Source | |||
| Battery terminal: DC 7.2 V (battery pack) | |||
| LP-E6P (provided with camera) /LP-E6NH* | |||
| *Lenses that do not operate when powered by LP-E6NH or DR-E6C only in VIDEO mode | |||
| EF28-70mm F3.5-4.5 | EF50mm 1.0L USM | EF28-80mm F2.8-4L USM | |
| EF1200mm F5.6L USM | EF24mm F2.8 | EF100mm F2 USM | |
| EF 200mm F2.8 L | EF200mm F2.8L II USM | EF100-200mm F4.5A | |
| EF35-80mm F4-5.6 PZ | EF35-80mm F4-5.6 | EF80-200mm F4.5-5.6 | |
| EF75-300mm F4-5.6 IS USM | EF80-200mm F4.5-5.6 II | EF75-300mm F4-5.6 II | |
| EF28-80mm F3.5-5.6 | EF35-135mm F4-5.6 USM | EF100-300mm 4.5-5.6 USM | |
| EF70-210mm F3.5-4.5 USM | EF35-105mm F4.5-5.6 | EF75-300mm 4-5.6 | |
| EF35-350mm 3.5-5.6L USM | EF28-70mm 2.8L USM | EF20-35mm 3.5-4.5 USM | |
| EF70-200mm F2.8L USM | EF24-85mm 3.5-4.5 USM | EF20mm F2.8 USM | |
| EF85mm F1.8 USM | EF400mm F5.6L USM | EF135mm F2L USM | |
| EF300mm F4L IS USM | EF35-80mm F4-5.6 USM | EF75-300mm F4-5.6 USM | |
| EF75-300mm F4-5.6 II USM | EF28-80mm F3.5-5.6 III USM | EF28-80mm F3.5-5.6 IV USM | |
| EF55-200mm F4.5-5.6 USM | EF28-80mm F3.5-5.6 V USM | EF75-300mm F4-5.6 III USM | |
| EF28-80mm F3.5-5.6 II | EF28-90mm F4-5.6 USM | EF28-90mm F4-5.6 | |
| EF28-105mm F4-5.6 USM | EF90-300mm 4.5-5.6 | EF28-90mm F4-5.6 II USM | |
| EF70-300mm F4-5.6 IS USM | EF35mm 1.4L USM | EF400mm F2.8L IS USM | |
| EF85mm F1.2L II USM | EF28-135mm 3.5-5.6 IS USM | EF100-400mm F4.5-5.6L IS USM | |
| EF70-200mm F4L USM | EF16-35mm F2.8L USM | EF24-70mm F2.8L USM | |
| EF17-40mm F4L USM | EF70-300mm 4.5-5.6 DO IS USM | EF70-200mm F4L IS USM | |
| EF16-35mm 2.8L II USM | EF8-15mm F4L FISHEYE USM | ||
| Dimensions and Weight | |||
| Camera (Width x height x depth) Approx. 143 x 88 x 95 mm (5.6 x 3.5 x 3.7 in.) (camera body only) Approx. 222 x 239 x 186 mm (8.7 x 9.4 x 7.3 in.) (attached handle unit and Microphone holder) * For dimension details, refer to the six-sided view. | |||
| Weight | Camera Approx. 665 g (1.5 lb.) Camera+Handle unit+Microphone holder+Battery Pack LP-E6P+CFexpresscard+SD card Approx. 1110 g (2.4 lb.) Supplied accessories Handle unit: Approx. 300 g (10.6 oz.) Microphone holder and two bolts: Approx. 60 g (2.1 oz.) LP-E6P Battery Pack: Approx. 82 g (2.89 oz.) LC-E6 Battery Charger: Approx. 110 g (3.9 oz.) LC-E6E Battery Charger: Approx. 100 g (3.5 oz.) (excluding power cord) | |
| Operating Environment | ||
| Temperature and humidity requirements for performance | Approx. 0 to 40°C (32 to 104 °F), 85% (relative humidity) | |
| Temperature and humidity requirements for operation | Approx. -5 to 45°C (23 to 113 °F), 60% (relative humidity) | |
| Maximum Recording Times with Battery/Power Consumption | |||||||
| Refer to the following table for the approximate continuous recording times when using the supplied LP-E6P Battery Pack or the optional LP-E6NH Battery Pack (fully charged). The values were measured while recording to a CFexpress card (second card recording functions turned off), with all settings other than those listed in the table set to default, and with no terminals connected. | |||||||
| Video Configuration | Power Consumption (W) | Approximate continuous recording time (min.) (LP-E6P) | Approximate continuous recording time (min.) (LP-E6NH) | ||||
| Sensor Mode | Main Recording Format | Resolution | Frame Rate | Bit Rate | |||
| RAW | |||||||
| Full frame 3:2 | RAW ST | 6960×4640 | 29.97P | 1800 Mbps | 9.7 | 90 | 65 |
| 25.00P | 1510 Mbps | 8.8 | 100 | 70 | |||
| Full frame | RAW ST | 6960×3672 | 59.94P | 2860 Mbps | 13.8 | 60 | 40 |
| 50.00P | 2380 Mbps | 12.2 | 70 | 45 | |||
| RAW HQ | 6960×3672 | 29.97P | 2900 Mbps | 10.3 | 85 | 60 | |
| 25.00P | 2420 Mbps | 9.3 | 95 | 70 | |||
| Super 35mm (Cropped) | RAW ST | 5036×2656 | 59.94P | 1500 Mbps | 12.2 | 70 | 45 |
| 50.00P | 1250 Mbps | 10.8 | 80 | 60 | |||
| Super 16mm (Cropped) | RAW HQ | 2524×1332 | 59.94P | 769 Mbps | 9.9 | 90 | 65 |
| 50.00P | 642 Mbps | 8.8 | 100 | 70 | |||
| XF-AVC | |||||||
| Full frame | XF-AVC YCC422 10 bit | 4096×2160 Intra-frame | 59.94P | 1200 Mbps | 13.6 | 60 | 40 |
| 50.00P | 1000 Mbps | 12.1 | 70 | 45 | |||
| 3840×2160 Long GOP | 59.94P | 250 Mbps | 13.3 | 65 | 40 | ||
| 50.00P | 250 Mbps | 12.0 | 70 | 45 | |||
| Super 35mm (Cropped) | XF-AVC YCC422 10 bit | 4096×2160 Intra-frame | 59.94P | 1200 Mbps | 12.4 | 65 | 45 |
| 50.00P | 1000 Mbps | 11.0 | 80 | 55 | |||
| Super 16mm (Cropped) | XF-AVC YCC422 10 bit | 2048×1080 Intra-frame | 59.94P | 300 Mbps | 9.8 | 90 | 65 |
| 50.00P | 250 Mbps | 8.7 | 100 | 70 | |||
| XF-HEVC S | |||||||
| Full frame 3:2 | XF-HEVC S YCC422 10 bit | 6912×4608 Intra-frame | 29.97P | 1620 Mbps | 12.0 | 70 | 45 |
| 25.00P | 1350 Mbps | 10.7 | 80 | 60 | |||
| Full frame | XF-HEVC S YCC422 10 bit | 4096×2160 Long GOP | 59.94P | 225 Mbps | 13.5 | 60 | 40 |
| 50.00P | 225 Mbps | 11.9 | 70 | 45 | |||
| Super 35mm (Cropped) | XF-HEVC S YCC422 10 bit | 4096×2160 Long GOP | 59.94P | 225 Mbps | 12.1 | 70 | 45 |
| 50.00P | 225 Mbps | 10.8 | 80 | 60 | |||
| Super 16mm (Cropped) | XF-HEVC S YCC422 10 bit | 2048×1080 Long GOP | 59.94P | 50 Mbps | 9.6 | 90 | 65 |
| 50.00P | 50 Mbps | 8.6 | 100 | 75 | |||
| XF-AVC S | |||||||
| Full frame | XF-AVC S YCC422 10 bit | 4096×2160 Intra-frame | 59.94P | 1200 Mbps | 13.7 | 60 | 40 |
| 50.00P | 1000 Mbps | 12.1 | 70 | 45 | |||
| Super 35mm (Cropped) | XF-AVC S YCC422 10 bit | 4096×2160 Intra-frame | 59.94P | 1200 Mbps | 12.4 | 65 | 45 |
| 50.00P | 1000 Mbps | 11.0 | 80 | 55 | |||
| Super 16mm (Cropped) | XF-AVC S YCC422 10 bit | 2048×1080 Intra-frame | 59.94P | 300 Mbps | 9.7 | 90 | 65 |
| 50.00P | 250 Mbps | 8.7 | 100 | 75 | |||
| Battery Charging: LP-E6P(using Battery Charger LC-E6 / LC-E6E): approx. 180 min. (at room temperature). Charging time varies depending on ambient temperature and the battery’s charge level. | |||||||
| Video | ||
| Sensor Mode | ||
| Sensor Mode | Main Rec Format | Main Resolution |
| Full frame 3:2 | RAW | 6960×4640 |
| XF-HEVC S | 6912×4608 | |
| Full frame | RAW | 6960, 3672 |
| XF-AVC, XF-HEVC S, XF-AVC S | 4096×2160, 3840×2160, 2048×1080, 1920×1080 | |
| Super 35mm (Crop) | RAW | 5036×2656 |
| XF-AVC, XF-HEVC S, XF-AVC S | 4096×2160, 3840×2160, 2048×1080, 1920×1080 | |
| Super 16mm (Crop) | RAW | 2524×1332 |
| XF-AVC, XF-HEVC S, XF-AVC S | 2048×1080, 1920×1080 | |
| BaseISO | ||
| Gamma/Color Space Gamma | MENU > [Camera Setup] > [ISO/Gain] | |
| [ISO] | [Gain] | |
| Canon Log 2, Canon Log 3 | Auto Selection, Base ISO 800, Base ISO 6400 | Auto Selection, Base ISO 800 (12dB), Base ISO 6400 (12dB) |
| PQ, HLG, Canon 709, BT.709 Wide DR | Auto Selection, Base ISO 400, Base ISO 3200 | Auto Selection, Base ISO 400 (6dB), Base ISO 3200 (6dB) |
| BT.709 Standard | Auto Selection, Base ISO 160, Base ISO 1250 | Auto Selection, Base ISO 160 (-2dB), Base ISO 1250 (-2dB) |
| Recording Specifications | ||||||||||
| RAW • Recording media: CFexpress or SD cards | ||||||||||
| Sensor Mode | Main Rec Format | Resolution | Color Depth | System Frequency / Frame rate / Bit rate | Audio | |||||
| 59.94 Hz | 50.00 Hz | 24.99 Hz | ||||||||
| 59.94 P | 29.97 P | 23.98 P | 50.00 P | 25.00 P | 24.00 P | |||||
| FullFrame 3:2 | RAW ST | 6960×4640 | 12bit | – | 1800 Mbps* | 1440 Mbps* | – | 1510 Mbps* | 1450 Mbps* | Linear PCM (24 bit 48kHz) 4 channels |
| RAW LT | – | 1170 Mbps* | 936 Mbps* | – | 976 Mbps* | 937 Mbps* | ||||
| Full- Frame | RAW HQ | 6960×3672 | – | 2900 Mbps* | 2320 Mbps* | – | 2420 Mbps* | 2320 Mbps* | ||
| RAW ST | 2860 Mbps* | 1430 Mbps* | 1150 Mbps* | 2380 Mbps* | 1190 Mbps* | 1150 Mbps* | ||||
| RAW LT | 1860 Mbps* | 927 Mbps* | 742 Mbps* | 1550 Mbps* | 773 Mbps* | 742 Mbps* | ||||
| Super 35mm (Crop) | RAW HQ | 5036×2656 | – | 1520 Mbps* | 1220 Mbps* | – | 1270 Mbps* | 1220 Mbps* | ||
| RAW ST | 1500 Mbps* | 748 Mbps* | 599 Mbps | 1250 Mbps* | 624 Mbps* | 599 Mbps | ||||
| RAW LT | 972 Mbps* | 486 Mbps | 389 Mbps | 811 Mbps* | 406 Mbps | 390 Mbps | ||||
| Super 16mm (Crop) | RAW HQ | 2524×1332 | 769 Mbps* | 385 Mbps | 308 Mbps | 642 Mbps* | 321 Mbps | 308 Mbps | ||
| RAW ST | 379 Mbps | 190 Mbps | 152 Mbps | 316 Mbps | 158 Mbps | 152 Mbps | ||||
| RAW LT | 246 Mbps | 123 Mbps | 99 Mbps | 206 Mbps | 103 Mbps | 99 Mbps | ||||
| *CFexpress only | ||||||||||
| XF-AVC • Recording media: CFexpress or SD cards (colored cells: CFexpress only) | ||||||||||
| Main Resolution/Bit Rate | System Frequency / Frame Rate | |||||||||
| 59.94Hz | 50.00Hz | 24.00Hz | ||||||||
| 59.94P | 59.94i | 29.97P | 23.98P | 50.00P | 50.00i | 25.00P | 24.00P | |||
| 4096×2160 3840×2160 | 1200 Mbps Intra | ●* | – | – | – | – | – | – | – | |
| 1000 Mbps Intra | – | – | – | – | ● | – | – | – | ||
| 900 Mbps Intra | ●* | – | – | – | – | – | – | – | ||
| 750 Mbps Intra | – | – | – | – | ● | – | – | – | ||
| 600 Mbps Intra | ● | – | ● | – | – | – | – | – | ||
| 500 Mbps Intra | – | – | – | – | ● | – | ● | – | ||
| 480 Mbps Intra | – | – | – | ● | – | – | – | ● | ||
| 450 Mbps Intra | – | – | ● | – | – | – | – | – | ||
| 375 Mbps Intra | – | – | – | – | – | – | ● | – | ||
| 360 Mbps Intra | – | – | – | ● | – | – | – | ● | ||
| 300 Mbps Intra | – | – | ● | – | – | – | – | – | ||
| 250 Mbps Intra | – | – | – | – | – | – | ● | – | ||
| 240 Mbps Intra | – | – | – | ● | – | – | – | ● | ||
| 250 Mbps L.GOP | ● | – | – | – | ● | – | – | – | ||
| 150 Mbps L.GOP | – | – | ● | ● | – | – | ● | ● | ||
| 2048×1080 1920×1080 | 300 Mbps Intra | ● | – | – | – | – | – | – | – | |
| 250 Mbps Intra | – | – | – | – | ● | – | – | – | ||
| 150 Mbps Intra | – | ●** | ● | – | – | – | – | – | ||
| 125 Mbps Intra | – | – | – | – | – | ●** | ● | – | ||
| 120 Mbps Intra | – | – | – | ● | – | – | – | ● | ||
| 50 Mbps L.GOP | ● | ●** | ● | ● | ● | ●** | ● | ● | ||
| 25 Mbps L.GOP | – | ●** | – | – | – | ●** | – | – | ||
| *CFexpress only **1920×1080 only | ||||||||||
| XF-HEVC S • Recording media: CFexpress or SD cards (colored cells: CFexpress only) | |||||||||
| Main Rec Format | Main Resolution | Bit Rate | System Frequency / Frame Rate | Audio | |||||
| 59.94 Hz | 50.00 Hz | 24.99 Hz | |||||||
| 59.94 P | 29.97 P | 23.98 P | 50.00 P | 25.00 P | 24.00 P | ||||
| XF- HEVC S YCC4:2:2 10-bit | 6912×4608 3840×2160 | 1730 Mbps Intra | – | – | ●* | – | – | ●* | • MPEG2AAC LC (16 bit 48kHz) 2 channels • Linear PCM (24 bit 48kHz) 4 channels |
| 1620 Mbps Intra | – | ●* | – | – | – | – | |||
| 1350 Mbps Intra | – | – | – | – | ●* | – | |||
| 1300 Mbps Intra | – | – | ●* | – | – | ●* | |||
| 1080 Mbps Intra | – | ●* | – | – | – | – | |||
| 900 Mbps Intra | – | – | – | – | ●* | – | |||
| 864 Mbps Intra | – | – | ●* | – | – | ●* | |||
| 486 Mbps L.GOP | – | ● | ● | – | ● | ● | |||
| 4096×2160 3840×2160 | 225 Mbps L.GOP | ● | – | – | ● | – | – | ||
| 135 Mbps L.GOP | – | ● | ● | – | ● | ● | |||
| 2048×1080 1920×1080 | 50 Mbps L.GOP | ● | ● | ● | ● | ● | ● | ||
| XF- HEVC S YCC4:2:0 10-bit | 6912×4608 | 360 Mbps L.GOP | – | ● | ● | – | ● | ● | |
| 4096×2160 3840×2160 | 150 Mbps L.GOP | ● | – | – | ● | – | – | ||
| 100 Mbps L.GOP | – | ● | ● | – | ● | ● | |||
| 2048×1080 1920×1080 | 35 Mbps L.GOP | ● | ● | ● | ● | ● | ● | ||
| *CFexpress only | |||||||||
| Media Overview | ||
| SD Card | Cfexpress Card | |
| Type | SD, SDHC, SDXC | CFexpress 2.0 Type B |
| Number of slots | 1 | 2 |
| Speed class / VPG | Speed class: C6, C10 UHS speed class: U1, U3 Video speed class: V30, V60, V90 | VPG 400 |
| File system | SD card (~2GB): FAT12, 16SDHC card (up to 32GB): FAT32SDXC card (exceeds 32GB to 2TB): exFAT File division units: FAT32 is 4GB exFAT is none Maximum of 9 file divisions per clip (FAT32 only) | CFexpress(~8TB): exFAT |
| Maximum number of clips per media | RAW / XF-AVC / XF-HEVC S, XF-AVC S: 999 | |
| Recorded data | Movie: XF-AVC, XF-AVC S, XF-HEVC S (CFexpress card may be used only by recording format, etc.) Photo: JPEG Audio: WAV Other: custom pictures, metadata, and menu settings | Movie: RAW, XF-AVC, XF- HEVC S, XF-AVC S Audio: WAV Other: custom pictures and metadata |
| Available Options for Second Card Recording | ||||||||
| Second Card Recording | ||||||||
| Off | Proxy Rec | Sub Rec | Audio Rec | Relay Recording2 | Double Slot Recording | Crop Rec | Chunk Rec | |
| ● | ● | ● | ● | ● | ● | ●2 | ● | |
| ● | ● | ●1 | ●1 | – | – | – | – | |
| ● | – | – | – | – | – | – | – | |
| ● | ● | ● | – | ● | ● | ● | ● | |
| ● | – | – | – | – | – | – | – | |
| ● | – | – | – | ● | ● | – | – | |
| ● | – | – | – | ● | ● | – | – | |
| Slow and Fast Motion Recording | ||||||||||
| Frame rate | Available frame rate for Slow & Fast Motion Recording1 | |||||||||
| 59.94P | 1, 2, 3, 6, 15, 30, 44, 48, 52, 56, 60, 90, 120, 150, 180 | |||||||||
| 29.97P | 1, 2, 3, 6, 15, 22, 24, 26, 28, 30, 32, 36, 40, 44, 48, 52, 56, 60, 90, 120, 150, 180 | |||||||||
| 50.00P | 1, 5, 15, 25, 34, 38, 42, 46, 50, 54, 58, 60, 75, 100, 120, 125, 150, 175, 180 | |||||||||
| 25.00P | 1, 5, 15, 17, 19, 21, 23, 25, 26, 28, 30, 34, 38, 42, 46, 50, 54, 58, 60, 75, 100, 120, 125, 150, 175, 180 | |||||||||
| 23.98P, 24.00P | 1, 2, 3, 6, 12, 16, 18, 20, 22, 24, 26, 28, 30, 32, 36, 40, 44, 48, 52, 56, 60, 72, 96, 120, 144, 1502, 168, 180 | |||||||||
| Maximum frame rate varies by sensor mode. Full Frame 3:2: up to 30P Full Frame: up to 180P. Super 35mm (Cropped): up to 60P. Super 16mm (Cropped): up to 150P.Only in Super 16mm (Cropped) sensor mode. | ||||||||||
| Available Shooting Frame Rates | ||||||||||
| Configurable frame rate (RAW) | ||||||||||
| Main Rec Format | Main Resolution | Frame Rate | ||||||||
| 59.94P | 29.97P | 23.98P | 50.00P | 25.00P | 24.00P | |||||
| RAW ST, RAW LT | 6960×4640 | – | 1~30 | 1~30 | – | 1~30 | 1~30 | |||
| RAW HQ | 6960×3672 | – | 1~30 | 1~30 | – | 1~30 | 1~30 | |||
| RAW ST, RAW LT | 5036×2656″ | 1~60 | 1~60 | 1~60 | 1~60 | 1~60 | 1~60 | |||
| RAW HQ, RAW ST, RAW LT | 2524×1332 | 1~150 | 1~150 | 1~150 | 1~150 | 1~150 | 1~150 | |||
| Configurable frame rate (XF-AVC) | ||||||||||
| Main Rec Format | Main resolution | Frame rate | Bit rate | Frame rate for Slow & Fast Motion Recording1,2 | ||||||
| XF-AVC YCC422 10bit | 4096x2160Intra-frame 3840x2160Intra-frame | 59.94P | 1200 Mbps | 1~60 | ||||||
| 900 Mbps, 600 Mbps | 1~120 | |||||||||
| 50.00P | 1000 Mbps | 1~60 | ||||||||
| 750 Mbps, 500 Mbps | 1~120 | |||||||||
| 29.97P | 600 Mbps | 1~60 | ||||||||
| 450 Mbps, 300 Mbps | 1~120 | |||||||||
| 25.00P | 500 Mbps | 1~60 | ||||||||
| 375 Mbps, 250 Mbps | 1~120 | |||||||||
| 24.00P, 23.98P | 480 Mbps | 1~60 | ||||||||
| 360 Mbps, 240 Mbps | 1~120 | |||||||||
| 4096x2160LongGOP 3840x2160LongGOP | 59.94P, 50.00P | 250 Mbps | 1~120 | |||||||
| 29.97P, 25.00P, 24.00P, 23.98P | 150 Mbps | 1~120 | ||||||||
| 2048x1080Intra-frame 1920x1080Intra-frame | 59.94P | 300 Mbps | 1~180 | |||||||
| 50.00P | 250 Mbps | 1~180 | ||||||||
| 29.97P | 150 Mbps | 1~180 | ||||||||
| 25.00P | 125 Mbps | 1~180 | ||||||||
| 24.00P, 23.98P | 120 Mbps | 1~180 | ||||||||
| 2048x1080LongGOP 1920x1080LongGOP | 59.94P, 50.00P, 29.97P, 25.00P, 24.00P, 23.98P | 50 Mbps | 1~180 | |||||||
| 1Up to 60P when the sensor mode is [Super 35mm (Cropped)] 2Up to 150P when the sensor mode is [Super 16mm (Cropped)] | ||||||||||
| Configurable frame rate (XF-HEVC S) Recording media: CFexpress card | ||||
| Main Rec Format | Main resolution | Frame rate | Bit rate | Frame rate for Slow & Fast Motion Recording1,2 |
| XF-HEVC S YCC422 10bit | 6912×4608 Intra-frame | 29.97P | 1620 Mbps, 1080 Mbps | 1~30 |
| 25.00P | 1350 Mbps, 900 Mbps | 1~30 | ||
| 24.00P, 23.98P | 1730 Mbps | 1~24 | ||
| 1300 Mbps, 864 Mbps | 1~30 | |||
| 6912×4608 LongGOP | 29.97P, 25.00P, 24.00P, 23.98P | 486 Mbps | 1~30 | |
| 4096x2160LongGOP 3840x2160LongGOP | 59.94P, 50.00P | 225 Mbps | 1~120 | |
| 29.97P, 25.00P, 24.00P, 23.98P | 135 Mbps | 1~120 | ||
| 2048x1080LongGOP 1920x1080LongGOP | 59.94P, 50.00P, 29.97P, 25.00P, 24.00P, 23.98P | 50 Mbps | 1~180 | |
| XF-HEVC S YCC420 10bit | 6912x4608LongGOP | 29.97P, 25.00P, 24.00P, 23.98P | 360 Mbps | 1~30 |
| 4096x2160LongGOP 3840x2160LongGOP | 59.94P, 50.00P | 150 Mbps | 1~120 | |
| 29.97P, 25.00P, 24.00P, 23.98P | 100 Mbps | 1~120 | ||
| 2048x1080LongGOP 1920x1080LongGOP | 59.94P, 50.00P, 29.97P, 25.00P, 24.00P, 23.98P | 35 Mbps | 1~180 | |
| 1Up to 60P when the sensor mode is [Super 35mm (Cropped)]. 2Up to 150P when the sensor mode is [Super 16mm (Cropped)]. | ||||
| Configurable frame rate (XF-AVC S) Recording media: CFexpress card |
| Main Rec Format | Main resolution | Frame rate | Bit rate | Frame rate for Slow & Fast Motion Recording1,2 |
| XF-AVC S YCC422 10bit | 4096x2160Intra-frame 3840x2160Intra-frame | 59.94P | 1200 Mbps | 1~60 |
| 900 Mbps, 600 Mbps | 1~120 | |||
| 50.00P | 1000 Mbps | 1~60 | ||
| 750 Mbps, 500 Mbps | 1~120 | |||
| 29.97P | 600 Mbps | 1~60 | ||
| 450 Mbps, 300 Mbps | 1~120 | |||
| 25.00P | 500 Mbps | 1~60 | ||
| 375 Mbps, 250 Mbps | 1~120 | |||
| 24.00P, 23.98P | 480 Mbps | 1~60 | ||
| 360 Mbps, 240 Mbps | 1~120 | |||
| 4096x2160LongGOP 3840x2160LongGOP | 59.94P, 50.00P | 250 Mbps | 1~120 | |
| 29.97P, 25.00P, 24.00P, 23.98P | 150 Mbps | 1~120 | ||
| 2048x1080Intra-frame 1920x1080Intra-frame | 59.94P | 300 Mbps | 1~180 | |
| 50.00P | 250 Mbps | 1~180 | ||
| 29.97P | 150 Mbps | 1~180 | ||
| 25.00P | 125 Mbps | 1~180 | ||
| 24.00P, 23.98P | 120 Mbps | 1~180 | ||
| 2048x1080LongGOP 1920x1080LongGOP | 59.94P, 50.00P, 29.97P, 25.00P, 24.00P, 23.98P | 50 Mbps | 1~180 | |
| XF-AVC S YCC420 8bit | 4096x2160LongGOP 3840x2160LongGOP | 59.94P, 50.00P | 150 Mbps | 1~120 |
| 29.97P, 25.00P, 24.00P, 23.98P | 100 Mbps | 1~120 | ||
| 2048x1080LongGOP 1920x1080LongGOP | 59.94P, 50.00P, 29.97P, 25.00P, 24.00P, 23.98P | 35 Mbps | 1~180 | |
| 1Up to 60P when the sensor mode is [Super 35mm (Cropped)]. 2Up to 150P when the sensor mode is [Super 16mm (Cropped)]. | ||||
| Crop Recording | ||||||||||||||
| Available configurations | ||||||||||||||
| Primary clip | Crop recording | |||||||||||||
| Recording format / Color sampling / Resolution / Scanning method | ||||||||||||||
| XF-HEVC S | XF-AVC S | |||||||||||||
| YCC 422 10bit | YCC 420 10bit | YCC 422 10bit | YCC 420 10bit | YCC 422 10bit | YCC 420 10bit | YCC 422 10bit | YCC 420 8bit | YCC 422 10bit | YCC 420 8bit | YCC 422 10bit | YCC 420 8bit | |||
| Recording format | Resolution | Scanning method | 1080×2048 | 1080×1920 | 1080×1080 | 1080×2048 | 1080×1920 | 1080×1080 | ||||||
| P | P | |||||||||||||
| RAW | All | – | – | – | – | – | – | – | – | – | – | – | – | – |
| XF-AVC YCC422 10bit | 4096×2160 | P | – | – | – | – | – | – | ● | ● | – | – | ● | ● |
| 3840×1920 | P | – | – | – | – | – | – | – | – | ● | ● | ● | ● | |
| All except the above | – | – | – | – | – | – | – | – | – | – | – | – | ||
| XF-HEVC S YCC422 10bit | 4096×2160 | P | ● | ● | – | – | ● | ● | – | – | – | – | – | – |
| 3840×1920 | P | – | – | ● | ● | ● | ● | – | – | – | – | – | – | |
| All except the above | – | – | – | – | – | – | – | – | – | – | – | – | ||
| XF-HEVC S YCC420 10bit | 4096×2160 | P | – | ● | – | – | – | ● | – | – | – | – | – | – |
| 3840×1920 | P | – | – | – | ● | – | ● | – | – | – | – | – | – | |
| All except the above | – | – | – | – | – | – | – | – | – | – | – | – | ||
| XF-AVC S YCC422 10bit | 4096×2160 | P | – | – | – | – | – | – | ● | ● | – | – | ● | ● |
| 3840×1920 | P | – | – | – | – | – | – | – | – | ● | ● | ● | ● | |
| All except the above | – | – | – | – | – | – | – | – | – | – | – | – | ||
| XF-AVC S YCC420 8bit | 4096×2160 | P | – | – | – | – | – | – | – | ● | – | – | – | ● |
| 3840×1920 | P | – | – | – | – | – | – | – | – | – | ● | – | ● | |
| All except the above | – | – | – | – | – | – | – | – | – | – | – | – | ||
| Available values | ||||||||
| Recording format | Resolution | Bit rate | System Frequency / Frame rate | |||||
| 59.94 Hz | 50.00 Hz | 24.00 Hz | ||||||
| 59.94P | 29.97P | 23.98P | 50.00P | 25.00P | 24.00P | |||
| XF-HEVC S YCC422 10bit | 1080×2048 1080×1920 | 50 Mbps L.GOP | ● | ● | ● | ● | ● | ● |
| 1080×1080 | 27 Mbps L.GOP | ● | ● | ● | ● | ● | ● | |
| XF-HEVC S YCC420 10bit | 1080×2048 1080×1920 | 35 Mbps L.GOP | ● | ● | ● | ● | ● | ● |
| 1080×1080 | 19 Mbps L.GOP | ● | ● | ● | ● | ● | ● | |
| XF-AVC S YCC422 10bit | 1080×2048 1080×1920 | 300 Mbps Intra | ● | – | – | – | – | – |
| 250 Mbps Intra | – | – | – | ● | – | – | ||
| 150 Mbps Intra | – | ● | – | – | – | – | ||
| 125 Mbps Intra | – | – | – | – | ● | – | ||
| 120 Mbps Intra | – | – | ● | – | – | ● | ||
| 50 Mbps L.GOP | ● | ● | ● | ● | ● | ● | ||
| 1080×1080 | 159 Mbps Intra | ● | – | – | – | – | – | |
| 133 Mbps Intra | – | – | – | ● | – | – | ||
| 80 Mbps Intra | – | ● | – | – | – | – | ||
| 67 Mbps Intra | – | – | – | – | ● | – | ||
| 64 Mbps Intra | – | – | ● | – | – | ● | ||
| 27 Mbps L.GOP | ● | ● | ● | ● | ● | ● | ||
| XF-AVC S YCC420 8bit | 1080×2048 1080×1920 | 35 Mbps L.GOP | ● | ● | ● | ● | ● | ● |
| 1080×1080 | 19 Mbps L.GOP | ● | ● | ● | ● | ● | ● | |
| Cropped recording is not available in these situations. Full Frame 3:2 or Super 16mm (Cropped) sensor mode Slow & Fast Motion, Frame Recording, or Interval Recording recording mode Anamorphic desqueeze is not available for clips recorded cropped. Cropped video output to an external monitor during recording is not supported. | ||||||||
| Crop Recording | |
| Subject detection (Subject to Detect, Subject Detection AF*, Eye Detection, Face Detection AE, and Tracking) is available in Slow & Fast Motion recording at frame rates of 24P or higher. At frame rates in a range of 1P–150P, other AF-related functions are also available. *At frame rates of 150P or lower. | |
| Focusing systems | Dual Pixel CMOS AF(CMOS AF) • CMOS AF detection range When detecting the entire area and subject, approx. 100% (Vertical) x approx. 100% (Horizontal) Otherwise approx. 100% (Vertical) x approx. 90% (Horizontal) May be approx. 100% (Vertical) x approx. 80% (Horizontal), approx. 75% (Vertical) x approx. 40% (Horizontal) depending on the lens |
| AF Modes | Applies when the AF/MF switch of an RF lens is set to AF. Continuous AF: Used to keep continuously focused on a subject. One-Shot AF: AF is performed only while the assignable button assigned to One-Shot AF is pressed. No further lens movement is permitted after focusing. Releasing the assignable button resumes continuous AF if it is enabled. When [Lens action if cannot AF] is set to [Stop] in Continuous AF mode, stop the search when distance measurement is not possible. |
| AFArea | Small Zone: Video display range approx. 14.7% (Vertical) x 12.2% (Horizontal) Flexible Zone 1: Video display range approx. 38% (Vertical) x 26% (Horizontal) Flexible Zone 2: Video display range approx. 85% (Vertical) x 26% (Horizontal) Flexible Zone 3: Video display range approx. 38% (Vertical) x 77% (Horizontal) Full: approx. 100% (Vertical) x approx. 100% (Horizontal) The area frame can be moved,* and thickness is adjustable. * Only with options other than [Whole Area] and when digital zoom is off. Area frame resizing is available for Flexible Zone options 1–3. Values above are based on these conditions: [Sensor Mode]: [Full Frame];[Main Resolution]: 4096×2160 or 2048×1080; [Electronic IS]: [Off]. |
| AF Lock | Available. |
| AF Speed | With compatible lenses, the lens drive speed is configurable. |
| Subject to Detect | Detects the eyes, face, head, or body of people or the eyes, face, or body of animals, as set in the menu. Setting to [People] targets human subjects for detection. Momentary inability to detect eyes / face / head will cause the camera to prioritize bodies (and when these parts can be detected again, they take precedence). Setting to [Animals] targets both animals and people for detection, and if both are detected, animals are given precedence. In scenes that include multiple subjects for detection, the most fitting main subject for detection results and how the shot is composed is automatically selected. Setting to [People] with autofocus active displays a white frame on the main subject and gray frames on all other subjects detected. Setting to [Animals] only displays a white frame on the main subject out of all animals and people detected. |
| Subject Detection AF | Controls how AF operation changes, based on the menu setting, if targeted subjects are not detected. Setting to [Detect. Priority] performs AF for any detected main subjects set in [Subject to Detect], or if none are detected, in the specified AF area. Setting to [Detect. Only] performs continuous AF restricted to main subjects set in [Subject to Detect]. The camera keeps focusing on the last detected position of any subjects that become undetectable. Continuous AF resumes when subjects are once again detected. |
| Subject-Switching Sensitivity | Enables adjustment of how readily the camera switches focus from one main subject to another. Set in a range of 1–5. [1] makes the camera less likely to switch subjects, and [5] makes switching easier. |
| Eye Detection | Determines which eye is given precedence when two eyes are detected, as set in the menu. Setting to [Auto] targets the eye closest to the camera. If both eyes are the same distance away, the camera targets the eye closer to the center of the configured AF area. Setting to [Right Eye Priority] gives the subject’s right eye precedence. Setting to [Left Eye Priority] gives the subject’s left eye precedence. |
| Crop Recording continued | |
| Tracking | The main subject can be selected for tracking with the joystick or touch panel. Setting the AF area to [Whole Area] AF enables main subject tracking by pressing the joystick in when the camera detects the target subject set in [Subject to Detect]. The joystick can also be pressed left or right to track specific subjects if multiple subjects are detected. Subjects other than those targeted for detection can also be tracked by tapping them. Additionally, regardless of the configured AF area, any preferred subject can be tracked by tapping it or pressing the joystick after using it to move the marker, once the camera is set to tracking selection mode by pressing the assignable button assigned to tracking. |
| Tracking by Touch Priority | Enables touch-based tracking of any subject regardless of the configured AF area. |
| Track after Focusing | Enables main subjects targeted for AF to be switched with the focusing ring, when Continuous AF is enabled and this function is set to [On (Tracking Frame)] in the menu. As the focusing ring is turned, based on the focus position, an orange tracking frame is displayed on a potential subject that users can switch to, and when manual focusing stops, the potential subject by the tracking frame is tracked as the main subject. Whether or not to display tracking frames for potential subjects can be set from the menu. Without a subject in focus, no tracking frame is displayed, and the camera does not switch subjects after manual focusing. Disabling the function in the menu disables this tracking after focusing. |
| Exposure Control | |
| Exposure Control Modes | Manual Manual setting using shutter, iris, ISO/Gain, and ND filter. Push Auto Iris * While the Push Auto Iris button is pressed, the aperture is controlled to achieve proper exposure. If deviation from the proper exposure occurs, it takes control again. Auto Iris * Constantly adjusts automatically for proper exposure using iris. Auto ISO/Gain * Constantly adjusts automatically for proper exposure using ISO/Gain. Auto Shutter* Constantly adjusts automatically for proper exposure using Shutter. Other AE Response can be changed in the menu. Auto ISO/Gain can be used in combination with Auto Iris or Push Auto Iris. * Not available at recording frame rates higher than 150P in Slow & Fast Motion recording. |
| Metering Modes | Standard (center-weighted metering), Spotlight, Backlight *If [EOS Standard] or [EOS Neutral] is selected in [CP File Selection], the setting value will be grayed out and cannot be selected as photometry is performed in the same way as the EOS R series. Editing the CP File (Gamma adjustment, registering another LUT as a Look File), makes it selectable. |
| Exposure Compensation | AE shift is available (±8 levels relative to center). Levels (EV values) are indicated numerically. |
| Shutter | |||||||
| Shutter mode | Electronic shutter | ||||||
| Shutter Speeds | 1/16000*1*2 –30 sec., bulb * 1 Up to 1/8000 sec. when set to HDR mode, focus bracketing, or same exposure for new aperture (ISO speed/ Shutter speed, Shutter speed). *2 1/10000 and 1/12800 sec. can also be selected. | ||||||
| X-sync Speed | Not provided | ||||||
| System frequency/Frame rate | |||||||
| Shutter manual mode | 59.94 Hz | 24.00 Hz | 50.00 Hz | ||||
| 59.94P / 59.94i | 29.97P | 23.98P | 24.00P | 50.00P/50.00i | 25.00P | ||
| Speed1 | 1/3-stop increments | 1/1 ~ 1/2000 (34 setting options in total) | |||||
| 1/4-stop increments | 1/1 ~ 1/2000 (59.94 Hz/24.00 Hz: 47 setting options in total, 50.00 Hz: 45 setting options in total) | ||||||
| Angle1 | 360°, 240°, 180°, 120°, 90°, 60°, 45°, 30°, 22.5°, 15°, 11.25° Also angle values equivalent to the following shutter speeds: 1/120, 1/100, 1/60, 1/50, 1/40, 3/100, 1/30, 1/25 | |||||||
| Clear Scan1 | Approx. 24–2000 Hz Within the above range, the frequency can be set with the minimum available resolution depending on the sensor mode and frame rate. | |||||||
| Slow2 | 1/4, 1/8, 1/15, 1/30 | 1/4, 1/8, 1/15 | 1/3, 1/6, 1/12 | 1/3, 1/6, 1/12, 1/25 | 1/3, 1/6, 1/12 | |||
| Off1 | 1/60 | 1/30 | 1/24 | 1/24 | 1/50 | 1/25 | ||
| 1When slow & fast motion recording is activated, available setting options will vary depending on the selected shooting frame rate. 2Not available when slow & fast motion recording is activated. | ||||||||
| Custom Picture | ||||||||
| Item | Corre | Characteristics | ||||||
| CP File | C1: Canon 709 | Gamma provides a wide dynamic range with contrast and is suitable for use without postprocessing. Output to a BT. 709 compliant monitor. | ||||||
| C2: Canon Log 2 | Gradations best suited to post-processing. Has characteristics similar to film, making it easy to work with in log space grading. | |||||||
| C3: Canon Log 3 | Gradations best suited to post-processing. This is a gamma feature for simple grading that sticks to tightening shading and adjusting tones. | |||||||
| C4: BT. 709 Widde DR | Video-based gamma setting with wide dynamic range. Outputs to TV monitor. | |||||||
| C5: BT. 709 Standard | Gamma according to the ITU-R BT. 709 standard. | |||||||
| C6: PQ | Gamma compliant with ITU-R BT.2100-0 PQ specifications. | |||||||
| C7: HLG | Gamma compliant with ITU-R BT.2100-0 HLG specifications. | |||||||
| C8: EOS Standard | ||||||||
| C9: EOS Neutral | ||||||||
| C10: User10 ~ User20 | ||||||||
| Photo | ||||||||
| Recording pixel count | ||||||||
| Image size | Resolution (Pixels) | |||||||
| Still photo cropping / aspect ratio | ||||||||
| 3:2 | 1.6x (crop)1 | 1:1 | 4:3 | 16:9 | ||||
| JPEG / HEIF | L | Approx. 32.3 megapixels (6960×4640) | Approx. 12.4 megapixels (4320×2880) | Approx. 21.5 megapixels (4640×4640) | Approx. 28.6 megapixels2 (6160×4640) | Approx. 27.2 megapixels2 (6960×3904) | ||
| M | Approx. 15.4 megapixels (4800×3200) | Approx. 10.2 megapixels (3200×3200) | Approx. 13.6 megapixels2 (4256×3200) | Approx. 12.9 megapixels2 (4800×2688) | ||||
| S1 | Approx. 8.1 megapixels2 (3472×2320) | Approx. 5.4 megapixels (2320×2320) | Approx. 7.1 megapixels2 (3072×2320) | Approx. 6.8 megapixels2 (3472×1952) | ||||
| S2 | Approx. 3.8 megapixels (2400×1600) | Approx. 3.8 megapixels (2400×1600) | Approx. 2.6 megapixels (1600×1600) | Approx. 3.4 megapixels2 (2112×1600) | Approx. 3.2 megapixels2 (2400×1344) | |||
| RAW | RAW / C RAW | Approx. 32.3 megapixels (6960×4640) | Approx. 12.4 megapixels (4320×2880) | Approx. 32.3 megapixels (6960×4640) | ||||
| Values for recorded pixels are rounded off to the nearest 100,000th.RAW/C-RAW images are generated in [3:2], and the set aspect ratio information is appended to the images.JPEG/HEIF images are generated in the set aspect ratio.These aspect ratios and pixel counts also apply to resizing.Angle of view of approx. 1.6 times the indicated focal length.Indicate an inexact proportion. | ||||||||
| Drive System | ||||||||
| [Max. approx.] | ||||||||
| Drive mode | AF operation | Electronic Shutter | ||||||
| Single shooting | Yes | |||||||
| High-speed continuous shooting + | One-Shot AF AI Focus AF Servo AF | 40 shots/sec.1 | ||||||
| High-speed continuous shooting | One-Shot AF AI Focus AF Servo AF | 20 shots/sec. 1,2 | ||||||
| Low-speed continuous shooting | One-Shot AF AI Focus AF Servo AF | 5.0 shots/sec. | ||||||
| Self-timer: 10 sec. | Yes | |||||||
| Self-timer: 2 sec. | Yes | |||||||
| Self-timer: Continuous | Yes | |||||||
| For details on the measurement conditions, see “22.3.1 Continuous shooting speed measurement conditions for High-speed continuous shooting + and High-speed continuous shooting”. For details on factors that reduce maximum continuous shooting speed, see “22.3.2 Factors that reduce maximum continuous shooting speed”. Expressed to two significant digits. Zooming during continuous shooting with electronic shutter may, depending on the lens, cause changes in exposure even at the same f/number. For details on relevant lenses, refer to the “OTH_03” lens list (even with zoom lenses that are not listed, sudden zooming may cause changes in exposure or flickering). | ||||||||
リークされた画像を見る限り、SONY FX2とほぼ同サイズながらもスペックはかなり上をいっており、FX2に真っ向から勝負している気概が見られます。
ドローンやジンバルに載せるカメラとしても良さそうですし、かなり売れそうですね。